EPISODE REVIEW: Flash Forward: “No More Good Days” (Season 1, Episode 1)

Tonight begins premiere week (for us, anyway) with a big budget S-F show that will be compared to another extremely successful ABC show. How was it? How does it compare? And why is there a kangaroo?
Tons of spoilers after the jump
Play by play:
We start with chaos-- It feels like the LOST crash, but it is carnage in the streets. Cars, blood, man on fire...
And we run the opening credits.
4 hours earlier... in a rather disjointed narrative:
Shakespeare (from Shakespeare in Love) is getting out of bed with Penny Widmore. except in this show, her name is Olivia...
We see a man on a pier with a gun, who seems to be suicidal.
Mark (Shakespeare) goes to an AA meeting while his babysitter is doing her boyfriend in Marks living room.
We learn that Mark is an FBI agent , his partner is name Dmitri (even though he's played by John Cho). They are surveilling someone, who promptly 'makes' them... and a car chase ensues.
We see flashes of all the characters we've met so far
And suddenly a dream state comes on Will Mark
We see some fractured images as Will blacks out
Everybody has blacked out... and they awake to absolute and total chaos. Every car, tanker and truck on the road is wrecked and burning, helicopters are falling out of the sky. At the beach, bodies are washing up on shore. At Mark's house, the babysitter runs up to check on Mark and Olivia's kid.... who says she had a bad dream... that there would be no more good days.
Mark and Dmitri are approached by a mob wondering what happened. Faced with the enormity of it all, Dmitri tells Mark to go to Olivia (who's a surgeon at a nearby hospital).
On the way, Mark encounters a kangaroo in the middle of the street. (Apparently there weren't any polar bears available)
Exposition News Network is broadcasting that it's a global event...
And finally, a commercial.
Mark calls Olivia, who's really busy with victims, one of which is a critically injured child who mysteriously knows Olivia's name. They compare notes, Mark arrives at FBI HQ; somewhere in here four hours have elapsed. Apparently the whole human race "shut off" for 2 minutes and 17 seconds. Mark relates that during the 'blackout' he saw April 29, 2010, at 10pm. Other agents collaborate this, right down to the time.
Dmitri has brought in the blonde terrorist that they were pursuing. Al Gough (another agent) figures out how to confirm the visions. Other agents are volunteering info, except for Dmitri, who saw nothing, and has a pretty healthy dose of skepticism. The department head puts them in charge, after we realize that he was in the bathroom in his 'flash-forward'.
To start their investigation, Dmitri and Mark try to recreate Mark's investigation board from his flash-forward. (Nifty way to start an investigation... begin at the end!) Dmitri is bothered by the fact that he had no vision. Mark suggests that he was sleeping; Dmitri believes that he's taking The Big Sleep.
Mark talks to his troubled babysitter-she's scared. Olivia talks to suicide guy, who's apparently another doctor. His vision revealed that he was alive- and he's believing that he was saved for a second chance; Olivia, however, says she saw the end of her marriage
Mark is talking to his AA sponsor- he was drinking in his flash-forward. Olivia will leave him if he drinks again (click: a puzzle piece fits into place). His sponsor, however, saw his daughter--alive-- who he'd believed killed in action in the Mid East. While Mark is afraid that the flash-forwards are true; his sponsor is afraid that they aren't.
Olivia and Mark finally get back together and have a tender, quiet moment until they try to talk about the flash forwards. She is upset... she was with another man... and in love.
We meet her lover, he is the father of the child she saved; the one who knew Olivia's name. His name is Lloyd Simcoe.
Mark's daughter wakes up and gives him a friendship bracelet- one he is wearing in his flash forward.
Dmitri is talking to his fiance on the phone, when the third agent in their team discovers that not everybody was asleep....
Observations:
This show is going to be compared to LOST, whether fairly or unfairly. The comparison is apt- in a post LOST science fiction series that deals with some of the same themes, even if they are treated in a completely different way. Let's face it, LOST is the elephant in the middle of the room. You can either studiously ignore it and hope nobody notices, or you can homage it and move on.
Thankfully, it looks like Flash Forward chose the second option.
The characters are likable, and the mystery is compelling. I'm also rather impressed with the scope. Since I acknowledged the 'elephant', I might as well make some comparisons. While LOST is about secrets, Flash Forward is about revelations. There's too much information to sift through, and everybody is forthcoming about what they saw. LOST is about isolation, however I have a gut feeling that Flash Forward is about community.
Unanswered Questions
Nearly all of them. It's the pilot, fergoodnesssakes.
A couple stand out, though.
What caused the Flash Forwards? Why? And why did Dmitri not have one? His fiance premembers (like that word? Made it up myself) him as alive, soo...
Who is the dark figure who is moving about while everybody else is blacked out?
It already looks like the future is deterministic; the collaboration exercises tend to prove that.... so again, why did they happen?
Definitely worth a watch, though. It'll be rerun tomorrow night, if you're not in the mood to watch Smallville with me.
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Comments
27 December 2008
10 hours 37 min
It pains me that Brannon Braga - the man who managed to turn Star Trek in to a complely insulting waste of time - has managed to do something good. It pains me more to admit it. But such is life: Good work, Braga, now don't screw up.
I was very impressed by the pilot, and will continue watching. I knew ahead of time they weren't borrowing anything but the premise of the book, and I've heard tell that this one isn't so tightly "Miss one and you're screwed" as Lost is.
I do think the Network will give it a shot. They're re-running it tonight at 8, they're trying hard to push it positively, they fully intend it to be the heir apparent to Lost, and they're on the clock as far as that goes, so the will get at least one full season out of this show. THey've got too much invested in it not to.
27 June 2009
9 hours 15 min
I watched the show on hulu and I have to say it was better than I expected. The kid saying that there were no more happy days was both sad and creepy.
This show looks like it will be one that if you miss an episode you will become lost, I will have to see one or two more to know if I am going to invest the time into it. With ABC’s track record of killing shows quickly it is hard to take a chance and since this show will be hard for people to jump into in a few episodes if it does not have a following quickly it is doomed.
It has an interesting premise but the writers will have to do better research if it will hang together the baseball goof has been mentioned. An other problem is that since most airliners fly on autopilot now why did so many crash, I can see if they where landing or taking off but that 800 number for downed planes in the US alone seems too high.
It looks like they are going in a different direction than the book the show is based on. I have not read the book but I did read the summary here.
http://en.wikipedia.org/wiki/Flashforward_%28novel%29
I will watch the next few episodes it started strong but we will have to see.
27 December 2008
10 hours 37 min
No, it didn't feel terribly PKD-ish to me. It felt like the inverse of Lost. It was based on a novel, though. (By Robert J. Sawyer)
27 June 2009
9 hours 15 min
I did not catch it today so have to watch it on hulu or something but I do have a question. Did it feel like a PKD story because the idea of the show sounds like something he would write.
27 December 2008
10 hours 37 min
...we'll have to ask you to be more geekish, I guess. It's not like we're going to ask you to leave.
Anyway, good observation (I guess) and one I never would have made (Because I have very little idea what you're talking about). I'm entirely too OCD to get involved with baseball. I'd never escape that.
@R2: I don't think the series is deterministic. I think *some* people will change their future, and *some* people won't, and a whole hell of a lot of them have been misled by their visions, which mean something apart from what they think they do. They're all lacking context right now.
I think the lead summed it up in the previews, "It's going to take more than fate to make me loose you." There's your theme right there.
4 February 2009
8 weeks 6 days
In the boss's flash forward he sees in the sports section that the Rays just swept three from the Red Sox in Boston. Why would the Rays (or the Red Sox, for that matter) be anywhere near Boston in March? Both teams would be in Florida for Spring Training at that time of the year. And, as long as I'm quibbling, they almost never play 3 game series in Spring training.
I found this way more glaring than the accents.
23 December 2008
42 min 38 sec
Yup. Coined by me, 24 Sep 09, 21:15.
I didn't notice the accent thing as much, because I was typing furiously all the way through it. You'd think that they'd send me screeners...
HEY! ABC! Send me screeners!!!
I noticed something structurally about the show, and it's confirmed by interviews with the producers- the 'D' date- April 29th, 2010 falls within THIS SEASON. In fact, an episode of Flash Forward is scheduled to air on that date. Whatever happens, the series itself is structured to twist on a deterministic basis.
Interesting, no?
27 December 2008
10 hours 37 min
Good one! I like the word.
A couple things jumped out at me: Firstly, why the hell was Seth McFarlane in this show? He was one of the FBI agents. He did nothing funny, there was nothing 'in character' about him that they needed McFarlane for, and if he's not going to be a recurring minor character in the show, then it was damn distracting. Evidently he had a walkon in "Enterprise" and was in a couple episodes of "Gilmore Girls," but his acting gigs are few and far between, which makes me wonder if he's actually going to be a continuing presence on the show, and if so - why? Who said, "You know, I know you're producer and voice-actor in three shows right now, and a semi-regular in two others, and kind of a goof-ball looking guy, but I like the cut of your Jib, McFarlane, I want you on the show!"
Secondly: Though it wasn't as distracting as McFarlane, I did feel like a lot of the cast were kind of wrestling with their fake American accents in this one. Did anyone else notice it?