So much like our criminals of the week, Alcatraz now has an established MO. We start with a criminal perpetrating his particular criminal shtick in lurid detail. Then we go to the credits. Then we proceed with a most unholy trinity of crisscross story structure: (1) criminal goes about his spree, (2) Madsen and Soto track him, and (3) we see criminal’s flashback story at Alcatraz. Spice with obligatory sadism and end with the arrest, followed by a final minute hinting at some deep mystery. The narrative spine, such as it is, seems to be the general grumpiness of Sam Neil.